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PAINTING SCHOOLS
COFFIN PORTRAITS
MINIATURES
MURALS
PORTRAITS
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[...] a painting known to every Pole - the likeness of the Our Lady of Czestochowa, damaged in 1430 and, according to legend, renovated in Cracow upon the request of Ladislaus Jagiello. Notwithstanding the controversies it still produces among historians of art, this multi-layer work, Eastern in contents and Western as regards its form, and thus a poignant reflection of the Polish geographic and cultural situation, was chosen by the nation to be its greatest sanctity. [*]
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"St. Catherine and St. Agnes",
second half of the thirteenth century, Diocesan Museum, Cracow
"Christ and Pilate",
detail of a stained glass window in the Dominican church in Cracow, about the middle of the fourteenth century, Regional Museum in Torun
"Quinitas (Five Persons of the Holy Trinity)",
panel of the so-called Torun altar, tempera on wood, about 1390, Diocesan Museum in Pelplin
"St. Jadwiga of Silesia",
panel of a triptych from Trzebunia, tempera on wood, about 1420, National Museum in Cracow
"St. Martha, Agnes and Clara",
tempera on wood, about 1440-1460, Diocesan Museum in Sandomierz
"Epitaph of Jan of Ujazd",
tempera on wood, about 1450, Wawel Royal Castle in Cracow
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"Lamentation",
panel of a Dominican altar, tempera on wood, after 1460, National Museum in Cracow
"Passion Painting",
tempera on wood, about 1480-1490, church of St. James in Torun
"Deposition from the Cross",
tempera on wood, about 1495, Diocesan Museum in Pelplin (from the church of St. John the Baptist and St. John the Evangelist in Torun)
"St. Catherine of Siena Besieged by Demons",
tempera on wood, about 1500, National Museum in Warsaw
"Epitaph of Jan Sakran",
tempera on wood, about 1527, Missionary monastery in Stradom, Cracow
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"General view of the painted interior of the church in Debno Podhalanskie", about 1500